I’ve meant to see this for a few years. The English Wikipedia article says “anti-melodramatic” and “unsensationalistic”, which is very appealing.

I didn’t think it would matter that I know only a few very basic facts about Van Gogh, but in seeing it, it seemed there was a lot you were supposed to recognize. And with events, not knowing whether they happened or whether Pialat was inventing, often left me not knowing what to think about them.

Thoughts, in order

  • It must be a pain in the ass to get all that period stuff for a film set in like 1870 or whenever.
  • Everyone at this new place is integrating him into things (whether he wants it or not). Is France 150 years ago a warmer place than anywhere I’ve known?
  • Why is this girl so into this old guy? Life doesn’t seem that slow and boring for her that I would buy this. Was this in particular a real event at all, or was Pialat just liking the idea that of course pretty young girls want old guys in the arts? I did see one other Pialat movie some years ago, which was about a girl and her dalliances and how she didn’t really love anyone except her daddy, who so-coincidentally was played by Pialat himself.
  • The man playing Van Gogh was rather still compared to everyone else, in the way that a non-actor would be. Apparently this guy did some acting but was mostly a singer.
  • The girl was a bit inexperienced compared to the rest, and this came out in emotional scenes where there wasn’t quite enough body language sometimes.
  • Around the two-hour mark, they and Theo hang out way too long in a brothel. I suppose you’re supposed to be engrossed by the polygon of Van Gogh and Theo and the girl and the prostitute Van Gogh has long had a thing with. The girl trying to not care, etc. But you are two hours in at this point.
  • I did like that, in the last minutes, life was resuming for everyone else. Because that is what happens. Even though it is hard to believe that the world will continue without our selves.

I’m not being very positive in this, I know, but I still appreciate the existence of anything anti-melodramatic and unsensationalistic.