• GiveOver@feddit.uk
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    1 year ago

    I’ve noticed the same goes for movies. There’s plenty of funny films with comedy as the second genre, but never as the purpose of the film. Think of Superbad, Dumb & Dumber, Police Academy. The main purpose was to laugh! But now it’s always romcoms, dramedies, or wise cracking superheroes.

    Maybe it’s tiktok. Maybe it’s because everything is a sequel/rehash these days. I just want another Leslie Nielsen film!

    • mawp@lemmy.world
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      1 year ago

      Do you think the issue is that people don’t go to the cinemas specifically for comedy films? I personally only ever go for action and thriller films (with the odd horror film sprinkled in), because I feel like seeing it at the cinema can greatly enhance the experience. Feels a bit of an overkill experience for a comedy film personally.

      I don’t know how many people are on a similar wavelength, but maybe a lot of comedy films are now hybrids because it gets bums on seats?

      • InverseParallax@lemmy.world
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        1 year ago

        Post covid we don’t go out as much, and post inflation we go out less because everything is crazy expensive.

        So why would you go to a theater to watch a comedy? That’s literally the perfect use case for streaming.

      • freehugs@lemmy.world
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        1 year ago

        The big studios have been putting all their eggs in the most profitable basket in the last few years, which is huge action-packed franchises that consume record-breaking budgets. The mid-budget summer movie as we knew them up to 2015 or so (think Hangover, Superbad, Bridesmaids,…) have been dying out as a result, unfortunately. But the cracks of this model are now starting to show due to many “big” franchise productions bombing at the box office this summer.

      • HobbitFoot
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        1 year ago

        I think the opposite; comedy movies stopped being cinematic.

        There are some good comedic filmmakers still, but a lot of them in the 2000’s and 2010’s were written and shot as high budget TV shows. At that point, why not just watch it at home?

        You also seem to have the death of a lot of movie physical comedy, so you have to rely on other genres to supply the “cinematic” look.

      • oʍʇǝuoǝnu@lemmy.ca
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        1 year ago

        Honestly, I hate watching comedies in theatres because of all the laughing which generally drowns out the second half, or subtleties of the joke which I don’t like. I’d rather just wait until I can stream it at home.

        That’s not too say I wouldn’t go see a movie if someone offered, but in not running to buy tickets to the next, I don’t know, Apatow movie.

  • dan@lemm.ee
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    1 year ago

    I miss things like Scrubs, 30 Rock, Arrested Development, Community - they all struck a balance between being comfortable/wholesome and cool/intelligent.

    Brooklyn Nine-Nine was close but ultimately got bored of itself and started to do weird novelty stuff before petering out. Big bang theory etc are way too sitcommy.

    • wjrii@kbin.social
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      1 year ago

      Derry Girls on Netflix (in the US) is very solid, and wisely wrapped it up after their post-Covid season was just a bit less dynamic, plus the cast was straining credulity as teens in S1, to say nothing of S3 four years later. It’s got heart and a bit of pathos, but it’s a legitimate comedy and sometimes in a guffawing broad sort of way.

      The Good Place is the best Michael Schur show from beginning to end, and only bested by Parks and Rec seasons 2-5, IMHO. TGP was silly and high concept from the beginning, so there was more room to be weird without throwing the show off track, and it had a story to tell that wrapped up nicely.

      Reservation Dogs on FX is not uproarious, but it’s very human and has some really funny coming of age stuff. I think it’s only got one more season, but honestly, that amount of notice should generally be enough to get a comedy or dramedy to a sufficiently satisfying resolution or at least pause point. The unexpected cliffhanger cancellations that come by surprise or via showrunners playing chicken with their bad ratings are the really frustrating ones.

        • wjrii@kbin.social
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          1 year ago

          Superstore is much more uneven, but it has a similar charm in how it explores the doldrums of a workplace, and a lot of the characters are like mix and match from character traits of the The Office (US) ensemble.

          Better Off Ted was taken from us too soon. Imagine Arrested Development meets Catch 22, as a workplace comedy set in a modern conglomerate.

          If you haven’t watched The Office’s NBC running mates, 30 Rock, Community, and Parks & Rec, they’re all good to great. 30 Rock is one of the best TV comedies of all time, imho, and I’ll die on that hill.

          What We Do in the Shadows puts a hilarious horror twist on the “talk to the camera” mockumentary format.

          Of course, whichever version of The Office you watched, US or UK, go watch the other one. The UK one commits to the cringe more thoroughly and is much darker. It’s not for everyone, but it also doesn’t run into the saccharine moments and pointless storylines that the US version had in its later seasons.

          Finally, Ted Lasso for a show that dives headfirst into the wholesomeness and posits a world where “Michael Scott” actually was everything he believed himself to be.

    • CarlsIII@kbin.social
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      1 year ago

      Mr Mayor was the new Tina Fey show but it’s already cancelled. AP Bio reminds me a lot of Community, but that was also cancelled. Animal Control is similar to Brooklyn 99 but not nearly as good. Abbott Elementary is kinda like the office, and is pretty good, and is still on, so people should definitely watch it.