On the 12th of april in 1927, Nationalist forces led by Chiang Kai-Shek carried out the Shanghai Massacre, attacking and disarming workers’ militias by force, resulting in more than 300 people being killed or wounded.
This incident marked the beginning of a campaign of violent suppression of Chinese communists by conservative factions in the Kuomintang, killing 300,000 people over the course of three years.
The Shanghai Massacre began before dawn, when nationalist troops began to attack district offices controlled by the union workers. Under an emergency decree, Chiang then ordered the 26th Army to disarm the workers’ militias.
The union workers organized a mass meeting denouncing Chiang Kai-shek the next day, and thousands of workers and students went to the headquarters of the 2nd Division of the 26th Army to protest. Soldiers opened fire, killing 100 and wounding many more.
This incident marked the beginning of a prolonged purge of communists from the Wuhan province, and the ensuing violence killed over 300,000 people in less than three years. Stalin offered his support, sending a telegram to the Chinese communists on June 1st, urging them to organize militarily against the state.
The events of April 1927 prompted the Comintern in Moscow to break ties with the Guomindang. It also triggered in-fighting between communists and left-wing nationalists in Wuhan that contributed to the collapse of Wang Jingwei’s government there. By late summer 1927, right-wing nationalists were ascendant in the Guomindang and Chiang Kai-Shek had emerged as the dominant republican leader of China.
Thousands of communists were forced underground in the cities or dispersed to rural areas. Some attempted to fight back. In response to the Shanghai massacre, on August 1st, 1927, the Communist Party launched an uprising in Nanchang against the Nationalist Wuhan government, which had previously been sympathetic to the Communists. The conflict meant that the Wuhan government and Chiang were once again aligned to crush the CCP.
This period is also acknowledged to have seen the emergence of the CCP’s “Red Army,” comprised of armed peasants and former nationalist soldiers. Despite KMT efforts to suppress the CCP forces, the communists successfully established control over many areas in southern China after attacks on cities such as Changsha, Shantou, and Guangzhou. In September, the leader of the Wuhan government, Wang Jingwei, was forced into exile.
By this point, three capitals were in effect across China: internationally-recognized Beijing, the KMT regime in Nanjing, and CCP-held Wuhan. This marked the start of a decade-long struggle known as the Ten-Year Civil War.
A large group in southern China led by Mao Zedong established a base in the remote Jinggang Mountains. A Kuomintang counterinsurgency campaign forced Mao and his group to relocate once again, and they moved into the border region between Jiangxi and Fujian provinces.
In order to rebuild the party’s strength, the 6th National Congress ordered these rural cadres to organize soviet governments. Mao’s group founded the Jiangxi Soviet, which became the largest and best administered soviet thanks to the number of Communist cadres from across the country that took refuge there. Although the Central Committee of the Communist Party was still underground in Shanghai during this period, the center of political gravity had begun to shift to Mao in Jiangxi.
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I gotta get my writing chops back, someone tell me which of these sounds better:
my experience with premise is that the premise that excites you the most and feels like the greatest vehicle for shit u actually want to explore or say tends to be the best. a hooky premise is nice and all but execution and distinct vision trump it. (that said premise 1 gives me cool Weird Fiction vibes so that’s my personal fave)
I usually maintain a kind of “ideas are cheap” skepticism and just accept that premises are just the excuse to get started, but these are ideas that have survived a years-long vetting process, so I like to think they have some legs
i think i get what you’re saying. my point is less that ideas are cheap and more that like…the idea’s value is more measured by the value it has with you in terms of embodying ideas and themes and characters that mean something to you vs how the elevator pitch reads to others. that doesn’t mean the premise is cheap and disposable, it more just means “listen to your gut and listen to yourself” about which one best channels your creative spirit. (but again, somewhat hypocritically i will say i like idea 1 best lolol, feels like a mix of Kafka & New Weird)
Yeah I shouldn’t make it sound so disposable, I just like to keep myself from feeling too attached to anything before I’ve gotten started
1 does seem like a nice break after a long stretch of attempted brainy sci fi, I just gotta find a way to expand that dialogue chain in disco Elysium with Harry choosing a parakeet spirit animal into a full story
The first one sounds like a short story. The second one sounds like it would be a bit longer and the 3rd sounds like a novel. I think the way you have them ordered is a good way to write them. Start small before tackling the big one.
Ironically the more I think about it the more I feel able to wring the most out idea 1
i like the first one cause worms are cool
already gathering an audience of worm enjoyers and it’s not even written
number 1 i think happened to me. i made a song about it, I’ll show you some time