Fun fact: the fucking loser that made this got bullied so hard he deleted everything related to this off his social media accounts.

Also I agree with the fella that says we need to being back tarring and feathering, exclusively for techbros

Article source: https://www.thewrap.com/ai-princess-mononoke-remake-trailer-slammed-online/

“I strongly feel that [artificial intelligence] is an insult to life itself,” the original’s legendary animator Hayao Miyazaki has previously said

A “Princess Mononoke” film created using so-called generative AI was slammed by fans on social media after its release earlier this week.

“One day we’ll wake up, and there won’t be any more Princess Mononoke, Gravity Falls, Avatar or animated films like Wolf Children or Arcane… just AI-generated soulless garbage,” wrote @goroweko on X, formerly Twitter. “I don’t want that so bad.”

The AI-generated remake goes up against the original “shot-for-shot” and was created by AI entrepreneur PJ Acetturo, combining AI-generated CGI shots that match the fim. The result is a “crime” that turns “a 15-year-old Japanese girl into a white woman with a smoky eye and bikini tan lines” and “‘is enough for me to think we should bring back tarring and feathering,” literary agent Roma Panganiban wrote on X.

Acetturo has made it clear he’s proud of his production, no matter what reaction it’s received. “I’ve wanted to make a live action version of Studio Ghibli’s Princess Mononoke for 20+ years now. I spent $745 in Kling credits to show you a glimpse of the future of filmmaking,” he wrote on X.

The AI filmmaker added that he was “being interviewed on the BBC today about my films” and “Clients are reaching out like crazy.”

He was challenged in the BBC segment, with one of the British network’s contributors noting that it seemed that there was something lacking in AI-created content.

“I’m sure there will be some criticism of this. I’ve heard Miyazaki is anti-AI. That’s okay,” the filmmaker wrote online. “I made this adaptation mostly for myself, because his work makes me want to create new worlds. We should look for ethical ways to explore AI tools to help empower artists to create.”

He posted a side-by-side comparison of his trailer with the beautifully crafted original:

The Mononoke trailer is a shot-for-shot remake of the trailer. This film has been in my head for two decades. I love this world so much.

I hope this meager adaptation inspires others to further explore their favorite worlds. Here’s the side by side comparison: pic.twitter.com/eDu8ASOBU6

— PJ Ace (@PJaccetturo) October 3, 2024 His statements were called out as problematic by actor Swann Grey, who tweeted in response, “‘I’ve heard Miyazaki is anti-AI. That’s okay.’ … Excuse you? To say that in the same breath as the word ‘ethical’? And to call a shot-for-shot remake ‘creating a new world’? Zero creativity, zero respect, and zero concept of what art is. You’re not an artist — you’re a fraud.”

Miyazaki himself has stated, when presented with an example of the use of AI in animation, that “I strongly feel that this is an insult to life itself.”

  • KobaCumTribute [she/her]@hexbear.netEnglish
    9·
    25 days ago

    Unfortunately, they are primarily owned and operated and speculated upon, right now, by tools.

    I almost feel like it’s some small relief that the people most enthusiastic about them are so dull and tasteless. Because while the tech is fascinating and way more powerful than the passive treatboxes that are driving the most buzz would suggest, once it starts getting integrated into animation pipelines and special effects it’s going to devastate huge swathes of already undercompensated highly skilled labor in ways that don’t have to happen, that shouldn’t happen, but will inevitably happen because of capitalist control over studios. Although considering they’re talking about replacing storyboarders with txt2img generators maybe that fear is a little overblown too, since that’s exactly the sort of role you’d need to start off and guide a generator in a controlled and consistent fashion imo.

    I’m just envisioning a future of animation where everything is like some too smooth, bendy and janky AI slop churned out as cheaply as possible like a second coming of Hanna Barbara’s mid century bottom of the barrel slop.

    • UlyssesT [he/him]@hexbear.netEnglish
      9·
      25 days ago

      I can hope that the sheer toxicity and arrogance of the early adopting true believers skews public opinion away from the fucking things, which would be a good thing overall because I’d rather not have those toxic and arrogant computer touchers wearing the hollowed out husks of the artists (and writers and cinematographers and more) that they destroyed the livelihoods of and then make basically “Ready Player One, but for fucking everything” bleak bland slop floods that drown out all attempts at creativity and make future creative endeavors impossible to conceive outside of the slop flood.