to be fair, they also talked about other musicals i didnt care about, but I wasn’t feeling it, lmao. i would have been happy with literally any other topic, but i fall asleep during this shit, cant help it
to be fair, they also talked about other musicals i didnt care about, but I wasn’t feeling it, lmao. i would have been happy with literally any other topic, but i fall asleep during this shit, cant help it
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Edit: I ended up using this comment as an excuse to infodump but I tried not to do the whole thing where, by infodumping, I am implying that this knowledge is uncommon or that the person I’m responding to is ignorant of it. And it appears that I’ve explained the idea of a leitmotif to a theater kid. My bad, Othello. I just like explaining things. Love your stuff
It’s pretty wild what facts needed to be left out or minimized to make this come across. Being playing by LMM instead of a white guy is a big part, obviously, but the whole idea that he was an “immigrant from the Caribbean” does a lot of heavy lifting there, too.
He was the grandson of wealthy merchants on one side and of Scottish nobility on the other. He was seen as lower status because he was born in the colonies and out of wedlock, but he was very much a colonizer. And his “immigration” was moving from one British colony to another and British colony. He received a decade of private education and tutoring before his mother died and it was that education that he used to be able to go to New York with the purpose of continuing his education.
For anyone who’s not super familiar with musical theater, it tends to make heavy use of callback, reprise, and theme to tie together disparate ideas. If you don’t know what that means, think of the happy music that plays in the beginning of Up. When that same music plays near the end of the opening sequence and that makes you wanna cry? It’s not just because it’s sad. It’s because the music juxtaposes the sadness of the moment with the happiness and hope they’d just lost. It’s that kind of thing.
Hamilton has stuff like this all over and is pretty tightly woven, but there are some dropped threads where you would expect some kind of callback and we just don’t get any. The reason? There were several more songs about opposition to slavery that were dropped because they didn’t play well in the test showings.
Hamilton is truly a story of oppression, as packaged for the privileged masses.
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No need to delete it. I put mine back up. I’m just having a weird day and was getting in my head about coming off as annoying.
I also got very into Hamilton for a while, to the point where I was writing out maps of various motifs that came up and itemizing where they were and what that did to the meaning. I think my window into Hamilton was through neurodivergence, of people looking at you like you’re crazy and being simultaneously condescending about your forwardness and obsessiveness but also in awe of a lot of your output and endurance. That said, I keep finding examples of ways that perspective falls short, so I appreciate you being sincere and sharing that.
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