Your ideas aren’t original anyway. For every script that makes it to production, there’s another 1000 in the rejection pile that have the same basic story and probably a lot of similar dialog and jokes.
How does a first time chef ensure someone along the way doesn’t rip off their cheeseburger recipe?
Most scripts in Hollywood are worth less than than the paper they’re printed on. And if you can separate the value from the slop, you’d make more money working for the industry than stealing from it.
Adding to this that anyone worth pitching does everything they can to avoid contact with unsolicited scripts. When they want one they grab one they’ve already optioned or go with established pros. So if the mailroom guy is your worry, then you’re already out of the running. And the mailroom guy won’t have any better luck with it anyways.
Why do you hate Jay? Why not the Postman/woman/person?
I’m curious too. I have done nothing.
Then why were you lurking suspiciously in the mail room in the first place? Tell us that!
I was just trying to find my coffee cup, honest! I was not looking for scripts to steal at all. I thought my cup may have been misplaced in that stack of letters.
With the candlestick too!
…yet
For legal protection you register your script (e.g. in the USA with the WGA or USCO) or you maintain evidence. Whether or not you should worry about it is debatable. And it might be different everywhere. But first time movie writers, especially in Hollywood, should rather worry about getting into the industry in the first place. And for that, no matter what some scammy gurus, who teach you the 3 act structure like some form of deep complex science, tell you, your screenplay matters very little.
Be honored its worth stealing. And be happy you didnt have to put up the cash to test the market. Also, your first movie won’t be your best work. There is another in you. When you write the 2nd one use the lawsuit to pay for its creation and it will market itself with the drama.
