- cross-posted to:
- gaming@lemmy.world
- cross-posted to:
- gaming@lemmy.world
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Honestly, I’m more angry about the meme creator thinking that Super Mario Bros. was 1972.
There are actually very few games overall where you jump on enemies.
Assassin creed series
this is the real reason why the people of lemmy hate the industry
That’s right because playing Dark Souls, I had to insert my sanity in the coin slot every time I died and it said Thanks Obama.
Wonderful mod, that one
Now they eat strawberries gaily
The showrunner of TLOS was also the head writer for the game.
It was the other showrunner, Craig Mazin, who said this. He doesn’t work in vidya gaems Though I can’t find the original source where he said it. So could be a shitpost.
The Last of Sus?
I got pretty fed up with always needing change to play Counter Strike.
Super Mario Bros was published in 1985 not 1972 but yeah.
Back in the 90’s, video games were new enough that you could forgive the film industry for not being familiar with them. It’s been 30 years. They still don’t get it.
Yes, like GoldenEye. No one played it, and it was definitely not a popular FPS where you jumped on enemies. It’s an obscure game based on the obscure movie where James Bond jumped on every single woman he saw. /s
You’re being too generous. In the 90s we were playing PlayStation and TV shows were still using the death sound from Atari Pac-Man
They don’t play video games, they do coke or children. They live different lives than us poors.
I kinda stand with Yahtzee Croshaw on this: The video game industry is a lot bigger than the film industry and makes a hell of a lot more money, so filmmakers should probably do a little learning their place.
Got it, fire everyone after the film is completed.
Thats pretty much what already happens in films. Most people work on one of them and then have to be rehired for the next.
I mean, lets be fair here. Its both coke and children.
I know bartenders who do a lot of coke. That doesn’t take that much money.
I’ve got a suspicion that this is one of those “say something intentionally stupid so that everyone jumps on the train to correct you and create engagement”.
Or someone says something evocative of their meaning but not fully fact-checked and cited because they aren’t a clanker.
There’s not all that much fact checking about something like that. It’s not like they claimed something and got one small detail wrong. It’s just a blanket statement that is unsubstantiated. Assuming they have common knowledge of the industry they’re in, it takes just one game that is not coin-operated and has some save functionality to make the original statement invalid.
Next up: post a math problem with no right answers and watch the post get a million comments (where only 10% notice the lack of a right answer)
It’s Cunningham’s Law in action.
Sod’s Razor
That’s how everything in the internet works nowadays. I just can’t do it. Everyone (mostly bots I suspect) seem to want to get pissed off or feel themselves like correct or interesting.
I try to “vote with my wallet” on these things whenever I can.
You can’t just call people on the spectrum bots :P
It’s like hearing someone say “there were no strong female leads in movies before the Hunger Games”
Sigourney Weaver enters the chat
Sucker Punch came out a year before
Ellen Ripley enters the chat
“Did IQs just drop sharply while I was away?”
Nuke the site from orbit
Foxy Brown looks on from the back of the bus.
Yes I’m pretty sure her actress replied to that. At least in the screenshot that was posted here, no idea if it was real or not
I was about to post that. Thanks for saving me the trouble.
It’s frustrating how people in charge are so far away from reality.
Remember when Kathleen Kennedy said that writing for Star Wars is hard because there aren’t any books and comics?
There are Star Wars books and comics??
She can’t have said that.
Hate to break it to you, but…
There’s no Disney source material
This explains so much.
What the ACTUAL fuck?
So on one hand, that reads to me like she meant “we are not pulling from the existing comics or books”, as opposed to “we are unaware of them”.
On the other hand, the Darth Caedus (aka Jacen Solo) might have something to say about Kylo Ren being an “original concept” that “was not pulled from the books or comics”.
Can’t use material you don’t own, if your primary interest is money.
No books or comics*
*That we own the rights to
But they did take things from pre-Disney books (and made them worse)
Jurassic World director Colin Trevorrow was slated to write and direct Episode IX before you brought J.J. Abrams back in. Is this final entry in the trilogy a particularly hard nut to crack?
Every one of these movies is a particularly hard nut to crack. There’s no source material. We don’t have comic books. We don’t have 800-page novels. We don’t have anything other than passionate storytellers who get together and talk about what the next iteration might be.As bad as that last movie was, I’m still glad Colin Trevorrow want allowed anywhere near it. There are few directors who are that out of their depth when given a big budget…
What the Michael A. Stackpole is she on about?
Lol what? That’s like saying drawing is hard if there’s no connect the dots
I have a biased take here, but:
It’s so much worse than that. It’s like saying “We can’t trace any completed connect the dots drawings” when there were 200 already completed connect the dots drawings specifically based on Star Wars.
I would kill to have a Darth Bane movie trilogy or two movies based on Revan. There’s even a Star Wars zombie book they could have turned into a movie at the height of the zombie media craze for crying out loud.
Horribly, horribly mismanaged.
Two zombie books, one set during the Old Republic and then another set during the Imperial era. Both are pretty solid, though I’d give the crown to death troopers since I get some real Dead Space vibes from it.
It is like she is saying filming Lord of the Rings was hard because there were no books to start from.
I was listening to a podcast recently, New York Videogames Critics Circle, and they talked about The Last of Us 1 and 2 and Neil Druckman as if it was the first game to ever make the player feel emotions. Like not just that it did so successfully, but that it did it at all.
i love how it says 1972 while showing the original super mario bros
Anyone else with fond 1970s memories of finding the parents’ lock to the coinbox of the home NES?
Have I been playing Skyrim wrong all this time?
Someone call a psychiatrist, we have another case of Other Games Syndrome.
You’ll be ok. Let’s just sit down and play either of your games. Do you want to play Super Mario, or Last of Us
You owe Todd a lot of quarters missy.
No, it’s the same thing. You’re an arrow who jumps on the heads of enemies.
Wait, you didn’t think you were the person with the bow did you? The stealth archer is inconsequential to the story. It’s the arrow that matters.
The Last of Us whas the first game you could play without quarters? I had no idea. That’s pretty incredible.
The Last of Us is just something I cannot get in to. Been trying for 10 years. I just do not care and it bores me to death even when I was trying to force myself to stay with it. Turns out as I get older, I still don’t want walking simulators. I still just want more of the games I played as a kid, and luckily I still have them all.
It is fine to have a different experience and taste in games. But The Last Of Us is absolutely not a Walking Sim. For one thing, Walking Sims, by definition, have no combat. You just walk around and explore a place and uncover a story along the way. TLOU is filled with stealth combat and 3rd person shooting, survival horror style resource management, as well as exploration and an unfolding story.
I think what you mean is that you dislike Narrative-driven adventure games. Walking Sims are a sub-genre of narrative driven games, but not all narrative driven games are Walking Sims. The Last Of Us is an narrative- driven action-adventure survival-horror game.
You can bypass 90% of the game challenges by just running past it, it works alarmingly well.
Okay. Doesn’t make it a walking sim still
I’ve been balls fucking deep in Spider-Man 2 lately. I got it a couple weeks ago and haven’t stopped since. I’m already almost 100% done with my NG+ run. I got a bunch of costume mods and some gameplay tweak mods, and I’m having a blast swinging around the expanded NYC (including Queens and Brooklyn) in all these different costumes that all honestly look fantastic.
It’s just more of the same/similar Spider-Man games we’ve all been playing for the better part of 20 years, but it’s just so goddamn fun.
I absolutely loved playing The Last of Us. But I find no enjoyment in ever playing it again (I tried and got bored). It will be like rewatching a movie I’ve seen, but meanwhile having to relearn how to watch it as well. I think these storydriven games have their place, but there are surely more engaging games.
I agree. Rogue lites and choose 3
+2 +2
I like walking sims but I hate stealth action games. Will never be able to play TLOU.
Also hearing about what they did in the 2nd one kinda kills my interest.
Did what in the second one? Made the stealth action more involved?
STORY SPOILERS AHEAD
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The second game starts off with killing the MC from the first game and you follow the other MC around on their revenge tour. From the bits I’ve seen it’s going for an ultra gritty, introspective, Walking Dead style narrative that I just honestly don’t care for anymore. It’s just not my thing.
I also don’t want to invest in the series when I know the main guy from the first one gets done dirty.
I wouldn’t call it “Walking Dead” style. If anything, it wears its Cormac McCarthy influences on its sleeve. If the first game was The Road, the second game is Blood Meridian. The story is intentionally dreary, miserable, uncomfortable, and emotionally draining. Kotaku’s review of the game was pretty on the money for a lot of people, it’s entirely possible to be so put off by the tone and story of the game because it’s so miserable.
The thing is that you play as Ellie and then as Abby to get both perspectives on the story. The entire message of the game is that revenge and unending conflict a downward spiral of self-destruction. Joel gets done dirty… but so does everyone. That’s the whole point of the game.
Sure. I respect the choice and understand why people like it. But it’s definitely not a story for me. I think I’d just burn out of playing something that dreary for so long only then having to go through it again from the other perspective.
Between that and hating stealth games it’s just not a game for me.
I can respect that others love it but it’s not a game for me.
Made a questionable choice with the story that required retconning the depiction of the final antagonists from the first game, among other choices.
I dunno what you heard but the Fireflies didn’t get retconned.
In the ps3 release the Fireflies hospital was dirty and dingy. In the sequel it’s all squeaky clean.
In the first game the Fireflies are portrayed as shortsighted and incapable of even crossing the country with heavy weaponry. In the sequel they’re treated as if they were perfectly capable of making and disseminating a vaccine.
Neil clearly didn’t like how the first games story turned out and made the sequel into his little fanfic.
Your idea of a retcon is that the hospital looks different in the sequel game in that tiny cutscene you see? It’s not even true, the hospital is still dirty and dingy. You’re also claiming a character having a wishful opinion is a retcon.
Neither of these are retcons.
There’s zero plot or story changes here too to even start making the assertion a retcon happened. How and why are you escalating to accusing the entire TLOU2 of being a fanfic because of two extremely minor things about the previous game, one of which isn’t even true.
It’s literally the definition of a retcon, and there’s way more, but you’re clearly not worth talking to.
You really don’t see a difference here?!?
Maybe it’s the gay or the woman with muscles
It’s not that. It’s story beats. I explained it in another comment.
Unfortunately foe the both of us, because rightwingers used this game for their agenda, neither of us will ever be taken seriously. It’s like telling one of those narcissists that make their abusive childhood their entire personality that running a stoplight is bad.
I hope the 4th Witcher game ends up being good, because I’m not sure how many more times I can watch the same situation go down, man.
Seemed like my sort of game, but I don’t like third-person, so I didn’t even try playing it.
TLoU is as far as I know the only instance of a movie or series adaptation of a video game being better than its source material.
